So far, the discussion on decolonisation in the art world has been centred on institutions. What if we instead turned our attention to the conditions for critical debate?
Affecting the Body – Interview with Arthur Jafa, “Kunstkritikk” 11.04.19. Arthur Jafa’s film Love Is the Message, The Message Is Death (2016) … More
How does physical space both reflect and contribute to the creative life of a city?
The text was published by CAS – Contemporary Ar Stavanger Journal, as a result of the writing residency. What … More
The Materiality of Gesture and Meeting Text by Zofia Cielątkowska about PAO Festival 2018 What is performance? The answer, as suggested … More
October 29th 2013 Zofia Cielątkowska: You are most of the time considered as a performance artist, but at the same time … More
Magazyn Szum, 5/2016 Zofia Cielątkowska: I start with the idea of hierarchy and structure. I mean, in one of the interviews you … More
Text published in Tique art paper 22/February/2018 https://www.tique.art/paper/artists/xavier-le-roy/ Zofia Cielatkowska: At the beginning of your path as a dancer and … More
*Jul 11, 2015, Interview published in Contemporary Lynx Zofia Cielątkowska: My first impression after listening to No More Stories (2015) … More
“Obieg” Magazine, 7/2014* Zofia Cielątkowska:Tell me more about your project or rather presentation which we can see at the Jewish … More
“Obieg” Magazine, 10/2014 Zofia Cielątkowska: Let’s start with the main movie of the exhibition “REEL-UNREEL” (2011), which I think might … More
Interview from took place at the European Culture Congress “Art for Social Change” (8–11 September 2011) Text published in Biweekly, nr … More
7TH October 2016, Dwutygodnik.com nr 196, 10/2016 Zofia Cielątkowska: Gob Squad has been performing more than 20 years now. SIMON … More
Interview, February 4, 2016 Zofia Cielątkowska: Your higher education started with art history? ALICJA BIELAWSKA: I know it might be … More
Intreview 19.03.2014 published in Obieg Magazine Zofia Cielatkowska: It is not your first visit in Poland? Martha Rosler: This is … More